Barbiequed

So much meat on the grill, so much beer, wine and vodka in the ice barrels. Fifty odd people, but more than four of everything each. A plate of tomatoes and cheese, plus two small bowls of new potatoes barely touched by the end of the evening. A strawberry cheesecake mountain of cake, fruit and whipped cream demolished early on, mostly by the oldies who know a good thing when they see it.

These particular party animals had agreed early on that the young people were all just so odd looking. The older ones didn’t look odd to the young ones, they just looked old: a vague sea of sensible denim and cottons, the people floating in it unseen. The youngsters wore their own uniforms depending on dimensions, age and gender. Guests were friends with the girls the party was being held for, or of their parents.

The very overweight girls favoured too-tight cut off shorts with cheeks dropping out behind and chafed thighs. Their tops were chosen with flesh in mind too: off at the shoulders and grazing the uppermost rolls of teenage midriff. A couple of more considerate girls had made an effort to contain their challenged BMIs, but the very tight short velvet outfits paired with Doc Martens were not widely appreciated. These girls stuck together to buttress their confidence and pretend they were part of the herd after all.

The men and boys were dressed in jeans and workclothes, with the occasional dress shirt over chinos. They were differentiated mostly by how dirty their hands were and how much body odour they could waft without moving too much. The older men did, and the younger men did not, notice the girls. Some men moved between the groups of young and old, but mostly they sat close to the food and the alcohol.

The old people were an accidental blend of horse and farming types, mixed in with London deskwallahs. They ranged in age from midfifties to seventies, occasionly more. These better preserved examples wore colourful clothes more in keeping with the current decade. The less well preserved favoured tee-shirts with horizontal stripes or loose fitting untucked shirts and jeans. Occasional renegades were somewhere in between with floaty colourless tops mostly over dresses, skirts or more rarely shorts. Eye-catching patterns and exposed wrinkly flesh were a definite no-no. Older party guests tended to move in groups, anxious not to get too close to the scary looking youngsters and their boisterous momentum. 

The group of not-so-fat girls also wore unforgiving clothes. The only difference was a preference for tight dresses instead of cut-offs and the girls’ relative slenderness. Still this side of curvy they had yet to place a foot on the blubberflub stair. Their already tired hair hung long, parted in the middle, heavily bleached to Barbie blonde and mostly straight. Locks enhanced with fake hair had enough length for large loose ringlets that bounced fetchingly whenever the wearer swung her head to show them off. When this happened the girls would drag their long, augmented fingernails to lift up the ringlets for greater effect. They did this with care, not to inadvertently dislodge the fake tresses. The enhanced hair and nails look skated dangerously close to pantomime dame territory, where beauty turned into tragic artifice.

The fascinated oldies tried not to stare at ballooning Zeppellin lips, their hard lined edges and their surfaces glazed in industrial strength gloss. It wasn’t easy. The lips bulged and glistened and peculiarly cushioned smiles hinted at compelling demonic menace. The girls wore false eyelashes so thick they could double as bookshelves for little pixies. Whether the girls could see out was a matter of conjecture. The oldies all agreed that it was a pity to see such prettiness and youth’s glorious beauty entombed in such peerless ugliness. But the grossly obese and the fake faced girls shared more enduring enhancements.

Oldster Catherine, ever chatty and inquisitive couldn’t help herself. “What happened to your arms and legs?” she asked a very plump young girl loading up on burgers and sauces. Catherine imagined some strange accident, perhaps involving a fan or kitchen equipment. Suzanne wiped ketchup from her chin and swallowed her mouthful: “These are from when my mum left. It was years ago now, when I was thirteen.” This last said in a knowing older-and-wiser tone picked up from a counseller. But Catherine still didn’t get it. “But what happened?” The bossy retired teacher in her persisted. “A scalpel I nicked from school. I wanted to see the blood. I started to cut. Stupid I know. As if that would make her come back, eh?” Suzanne rolled her eyes at the very thought of it then added “and as if I’d want her to” as she took another bite.

Catherine’s face paled as something she remembered she knew was suddenly and unexpectedly made real. Suzanne was still talking and Catherine came in at the end of her explanation. Suzanne was pointing at her dimpled thighs “… and these are blokes I’ve slept with. Not ashamed to show them off, shows people who I am yeah?” Horrified Catherine smiled a feeble smile. “It’s probably better to find another way, don’t you think?” But Suzanne was laughing at her new friend’s shock and concern. “It’s alright, I’ve stopped. It hurts. Never used to feel it, but now I do and it’s not worth it is it really? I’m thinking tattoos instead. I’ll get them done over the scars.” The girl’s combination of pride and pragmatism levelled Catherine. She slowly sank into the deep end of her years. “Good. Yes. Good,” she said.  It took Suzanne a nanosecond to get over the conversation. Catherine, struggling to keep her head above water, tried putting the conversation into the perspective of age. Failing and still a bit dizzy with shock, she turned her attention to the man in the shiney shirt.

The man in the shiney shirt was the official entertainment. He’d been playing vintage Barry White and Creedence Clearwater Revival following the rule that the old ones are the best. His audience had responded with lazy swaying as they downed their warm-up lagers and white wines. Shiney man’s trust grew and soon he was singing along with his karaoke machine, encouraging people onto the dancefloor. They didn’t come. After a lengthy set he announced a break; five minutes was all he needed. Soon he was back in a  glittery suit with no shirt and his jacket button undone, writhing convincingly to Jail House Rock. The choice surprised most of his onlookers. The old people were impressed with his agility and tight glutes. The young people weren’t quite sure what they were looking at, only that this bloke’s head and chest hair were really grey.

Sweaty and happy as he danced and sang along, the exuberant man on the stage could see dogs relieving themselves on the expanse of grass that was the still unused dancefloor. He could see the guests of honour and their parents and saw that one was flouncing off, coordinating the rhythm of her hair toss and leggy strut. He guessed her dad was less than impressed with the uplift bra presenting a bulging young bosom oiled and shining like a couple of giant sticky buns. Glitter man reckoned dad was also not much impressed with the lacing and chains that held the rest of his daughter’s clinging outfit together. It had taken barely a raised eyebrow, a turning away of the head and a deep swallow of lager to send his little girl tottering in her too-high shoes into her mum’s arms. But her mother was well past tipsy or caring. She committed the terrible sin of laughing off her daughter’s distress. Matters worsened when she tried to be understanding, but couldn’t keep a straight face.

Arms entwined they retired to a bench at the party’s edge. A pasty-faced young man followed in case he could help, pushing aside the fear his love inspired in him. His experience with grade A flounces was limited although he was pretty good with tears, so he reckoned it was worth a go. He sat on the bench in sympathetic but unacknowledged solidarity. Isaac felt left out and a little tired. It had been a long day. He slurped warm cider from a can and soon let his attention shift to the slowly filling dancefloor. The ancient songs the sparkly man was singing confused him and he didn’t recognise Chiquitica’s opening bars. His gaze landed on the gaggle of fat girls karaoky-ing along and Isaac found it disconcerting that in shape they reminded him of the porkers his dad was fattening up at home. Isaac pushed this image away and focussed instead on their impressive singing. They knew all the words and could hold a tune. They implored in loud unison: “How I hate to see you like this” (air punches in time with two hefty drum beats); “There is no way you can deny it” (pointing at each other); “I can see that you’re oh so sad, so quiet” (heads drooping). Isaac closed his woozey eyes and put his arm around his girlfriend’s shoulders, but the flounce was still running. She shrugged his arm away and leaned into her mum. Her mum’s glass was empty and she was bored with this latest drama, even as it weakened to force 4. But she returned the lean, mainly for comfort, struggling to parse her daughter’s mumbling.

As Chiquitica faded the next song was up, one of mother’s favourites. Gloria Gaynor surely had no idea of just how long I Will Survive would indeed survive or how deeply it would resonate across generations. Mother was up on the grass in a bound, joining the porky girls and leaving her unsuspecting daughter to collapse bruisingly into the arm of the bench. More woe so she nestled instead into Isaac who started to wonder what should happen next.

On the dance floor there was an awareness of being careful where to tread but no one bothered to pick up the dog poo. Waving her arms, mother got father up and out of his sunlounger. He in turn pointed at a young man to go and clean it up. Erik dutifully handed his can of dark ale to his girlfriend, and moved towards the dancefloor. Sonia was newly 21 and already placing her foot on the blubberflub stair. Unlike her friend whose outfit benefitted from chains and lacing, Sonia relied on her curves to keep her clothes in place. Due to unexpected expansion of breasts, belly and hips this wasn’t working as intended, so her tiny skirt rose up unaided and the super stretchy top did the same. Her movements when standing were a constant tugging down of top and skirt into more flattering but elusive shapes.

“He’s going well at the moment but he really doesn’t like this ground.” “Well, it’s understandable, with sidebone you can hardly blame him.” Sonia was leaning in for another bottle of bubbles and heard this exchange. She  wondered what a sidebone was and where she could get one. It sounded sexy and through a bubbly haze she laughed “sounds good to me, I’ll have a bit of that.” She wobbled away for a little sit down, waiting to find out what Erik knew of sidebone. The two older women watched her drift off and tried to resume their conversation, puzzled, sober and with no concept of how ‘sidebone’ could be anything other than hardened cartiledge in a horse’s hoof. Fascinated but slightly wary of their fellow guests, they had thought horsey chat gave them safe haven. Agreeing that it was a mistake to stand by the booze station they moved back to their husbands, now onto their third helpings of charred  barbequed meats. The night was drawing in, so they tugged at elbows and Catherine said “the midges are out, shall we go?” 

In from the cold

There was somewhere in Len’s remote memory the image of a girl. Or maybe she was actually a woman, a being fully grown, an adult? But no, Len preferred the girl image instead. The girl he was thinking about would be a woman now he understood, but the memory of her from his schooldays was far more engaging. She was winsome and pretty, with mouse brown hair and the occasional spot amongst her freckles. Maybe he’d see her again sometime and she’d remember him. Such were Len’s musings as he ambled along on his dog walk, smoking his eighth cigarette of the day, unaware of the scent of early bluebells drifting from the woodland floor as he trampled them underfoot. His dog was off somewhere and Len’s big boots raised soft divots from the saturated ground.

The trees swayed and shivered in a chill spring wind as Len’s dog came bounding up and turned almost immediately away again. He took a long drag and fancied he saw a girl come slowly into focus. Len’s memory flashed so many convincing images that he almost called out to her. It was as well he didn’t because the girl that Len could see wasn’t a girl at all, definitely not a teenage girl and not even a young woman. The person who came into view was muddy, slightly overweight and dressed in too-tight jodpurs and top boots. An ugly crash hat was crammed down over her brow, its forlorn silk hanging wet and loose. This was definitely a woman, older by far than the pictures in his head now evaporating into wispy scraps and fragments. Noting the mud and that she wasn’t walking quite straight, Len called “are you alright?” As she approached he saw a tear stained face and the drooping silk. He could see it was attached to the helmet and wondered what it was for.

“No I’m not alright,” she said crossly and then more politely. “Have you seen a chestnut horse come this way? Filthy dirty? We fell over in a boggy puddle that was deeper than it looked. She took off”. Dozey Bitch was fawning at the woman’s knees and she pulled off a glove to fuss with the dog’s ears. She waited for some response from the man who seemed to Melanie to be a few pennies short of a pound. He might have been trying to parse what she had said as he puffed his cigarette. Too impatient to care Melanie decided he was probably just a bit simple. “Have you seen a loose horse pass this way?” she said slightly more loudly and with suppressed impatience. He wasn’t short of pennies, but in the wake of his nostalgic musings Len was indeed struggling to keep up. He watched his fickle dog make a new friend and mumbled something about horses not really being his thing, but that Dozey Bitch was enjoying herself. He stumbled forward to reclaim the dog apologising, “no, sorry, no sign of a horse, but we’ve only just come onto this path”. He tried to be helpful adding “your horse maybe headed up to the fields, maybe it followed the light?” He’d heard somewhere that animals and people went for the light or downhill when they were lost. He wasn’t sure if it was made up or not. He was sure that he’d headed downhill when he’d started losing track of his life. Perhaps it made some sort of sense for horses too. 

Melanie considered this a not unreasonable suggestion and revised her opinion of the slow-witted man, upgrading him from stupid to simply vague. She glanced about looking for where the most light might be, standing in silence with the man and his dog for a moment. Len couldn’t bear the empty quiet and started to move along saying “we’ll be off and we’ll keep an eye out”. In an effort to be helpful he added “maybe you should head up that way”. And as he turned and pointed away towards the fields at the edge of the wood, they saw the golden outline of mud splattered horse. It was nosing at a patch of grass, its reins on the ground and a stirrup flung over onto the wrong side of the saddle. The horse gave its nose a blow as it looked up, noted their presence and then went back to grazing.

Melanie was beaming. “I don’t suppose you’d mind just standing here while I catch her would you? I don’t want her to think she’s being chased. She can be a bit flighty sometimes.” “Not at all” Len said wondering if the horse was looking flighty or not. She just looked like a horse covered in mud and eating grass. He admired her tail floating sideways as the chilly breeze gave it a lazy push. Len looked on as Melanie walked carefully towards her horse. Something in her movement brought back the image of that girl he knew at school. It was the same image that had been floating in his brain when he’d seen this horsey woman from afar, and past bled into present. He watched her approach the horse and catch hold of the rein as she gave the horse a little pat. He continued to watch as she peered about looking for something that would work as a mounting block. Len wondered what she was doing. Horse people. He didn’t understand that the days when Melanie could just vault into the saddle from a standing start were no longer hers. They belonged to a time long ago, to her teens. And the times when she could put her foot into the stirrup and spring up into the saddle were also long gone. She remembered sometimes that they ended somewhere around the time of her second child’s fourth birthday. Much ended at around that time, although it had taken some years for Melanie to notice.

With nothing to use as a step, Melanie had no option but to ask for help. “I don’t suppose you could give me a leg up could you? My name is Melanie by the way, and this is Rizzo.”  It took Len a moment to understand that Rizzo was the horse and not an imaginary friend, as he raised a hand in greeting. He pulled Dozey Bitch back in time to stop her planting a couple of paws on Rizzo’s foreleg. “Len. And this is Dozey Bitch, DB for short. Happy to help. Not sure if I can but I’ll try, a first for everything right? What do I do?”

Rizzo and Dozey Bitch were giving each other little nose to nose kisses, but the mare was less inclined to get up close and personal with Len. He had a strange scent about him and he held onto the dog a little too tightly. At least that’s what Rizzo had got from the dog in their brief conversation. Melanie still could see nothing she could stand on where overhanging trees didn’t get in the way of her swing, or where there would be room for Rizzo to stand while Melanie climbed aboard. The wind was getting colder, she was wet and her hands were freezing. What had started as a glorious excursion in the early spring sunshine was turning miserable. Len was still there standing with a dead fag end in his fingers and a gormless smile on his face. It was a kind face Melanie noted.

He repeated that he was “willing to have a go, but what should I do?” “Ok. What you have to do is to cup your hands, so that I can put my foot into them like they’re a stirrup. “Right” said Len observing the muddiness of her booted foot. “Then on the count of three, you give me a boost and I get into the saddle. Does that make sense?” Len pondered this. Given his twenty a day habit, total lack of upper body strength and Melanie’s general bulk, he should have said that it made no sense whatsoever. But with remnants of his teenage fantasies tangling his memory and his manly pride in play, Len did not say this. Instead he crushed his defunct dog-end into his pocket and found himself bellowing with considerable enthusiasm “Perfect. Absolutely. Let’s get this done”. Melanie looked at him askance as he crouched down and leading her horse away took Dozey Bitch to a nearby tree. She looped the lead over a low branch and knotted it tight. She then came back to Len, still bent over, positioned Rizzo closer to him and waited. He became aware that Melanie wanted to give him instructions, so he uncurled and stood upright. “This is how you need to stand and how you hold your hands,” she said, crouching down in a half-squat with her hands cupped in front of her, arms extended, elbows slightly bent.” 

As she showed him what to do, Len was reminded of how rugby players get into position for a scrum and remembered that once upon a time, he played rugby for his school. He could even run quite fast. But that was before the fags and the stress of business, marriage and kids, relocations and missteps, all the things that made him feel so very old. How did he get such a distance from the Len who played rugby, the Len besotted with a spotty teenage girl whose image had unexpectedly floated up from the bluebells on chilled spring air.

He cleared his throat with a little harrumph and looked to the side. He made a vague engineer’s calculation of the total load, the height he would have to lift up to and the duration of the carry. “How hard can it be,” he said with a laugh as he approached the mare and went to half-heartedly pat her neck. She immediately swung away from him, a suspicious look in her eye. “Don’t worry about that. I’ll have hold of the reins and keep her head facing in your direction.” Rizzo, well aware of the entertainment value in swinging away from Melanie when she tried to mount, understood that this new version of the game might even be better. Rizzo could smell the stranger’s concern mingling with his peculiar bodily stink and the sweet aromas of bluebells and aconites. Melanie was waiting. Len nodded and stretched up manfully ready for a go at the required half-squat. “Let’s give it a try shall we?” she said trying to sound encouraging. Melanie was getting cold and the mud was drying on her clothes, as well as on her horse. It would be too chilly to hose Rizzo down once they got home so she’d need to be brushed, she thought crossly. “Ready?” she said plastering a bright smile on her face. She gathered up her reins taking care to hold the nearside one a little shorter and half turned towards Len who shuffled closer, his hands ready to take Melanie’s left foot. But he wasn’t quite close enough and as Melanie placed her muddy left boot into his cupped hands the mare took a small step sideways and Melanie swung over into empty space as Len tumbled forwards into her ample rear. He let go of Melanie’s foot and fell to his knees as she also fell while DB barked her encouragement. Unperturbed Rizzo rested a hind foot and gave her head a little shake. Melanie tried hard to be patient and not irritated, as she helped Len back onto his feet. “I’m fine, I’m fine, I’m so sorry. What did I do wrong? I’ll get it right this time.” His voice was shaking a bit, as he searched for the someone lost in his life’s maze who was the man who could do this. Surely he was still there. Surely he could be sufficiently bold to stand close enough to a horse to help a lady get back into the saddle. Trying hard not to hiss as she spoke, Melanie pointed out that he needed a) to be sideways on to the horse and b) close enough to said horse that his shoulder was almost touching her. She added that c) he should give her, Melanie, the biggest boost he could muster. And that he should let go of her foot once Melanie was airborne. 

These instructions Len repeated, a), b), c) trying to joke that c), a), b) probably wouldn’t work. Melanie gave him a blank look and began to think that walking home was an attractive option, despite the lowering sky and the oncoming dusk. One more try though, so they got into position for the second attempt. Rizzo’s reins were more tightly held and Len’s back more tightly bent, his legs more firmly planted. Melanie got her foot into his hands once more and felt an upward boost at best described as pathetic. It got her ample bosom only as high as Rizzo’s saddle, and she had no prospect at all of casting a leg across the horse’s back. Dropping back to the ground Melanie noticed that Len was wheezing as he tried to make light of the second failure. “Well, at least she stood still this time,” he observed encouragingly. “Let’s give it another go, I think I’ve got the movement now”. 

Len crouched once more, braced and ready to put every bit of his middle-aged unfit self into the heaveho. On the third attempt Len lifted her so forcefully that Melanie shot up into the air and came down hard onto her horse’s back. A much surprised Rizzo shot forward in alarm almost unseating her rider and knocking Len once again to the ground. Melanie lost hold of one of the reins so Rizzo, pulled to the left and circled back towards Len now on his knees coughing and spluttering. He struggled upright in time to feel Melanie’s foot hit square and hard in his chest, as she reached for her stirrup. An epic coughing fit turned his face a shade of sunset crimson and he dropped his hands to his knees in an effort to get back his breath. Her stirrup, reins, control and composure regained, Melanie pulled up her horse, turned her and returned to her new friend at a measured jog. His face still puce but his breathing getting steadier, Len was wrestling with the very tight knot Melanie had put in his dog’s lead. He had almost stopped coughing and wheezing and vowed aloud that he should stop smoking. “Yes you should,” Melanie agreed as she turned towards home. “Thanks again for your help. Are you sure you’re alright?” “Fine. Fine. Glad you’re back on board” he wheezed. Len clutched at Dozey Bitch’s lead and headed for home. He watched as Rizzo, carried her bouncing mistress away and out of sight. He leant over to cough with more vigour but the cold air was making his lungs hurt. He let DB off the lead and saw her head off at speed after Rizzo. DB ignored Len’s feeble calls and he soon reverted to his coughing. The afternoon chill reached into his over extended lungs, slicing like razor blades. Len tried to find the space where he’d been a mere half an hour ago, calmly smoking and lost in the memory of a teenage crush and youth’s warm glow. The sound of his wheezing reminded Len that he wasn’t dead yet and that he probably shouldn’t try to hurry after his dog. He even wondered if she might follow Rizzo home, and that Melanie might try to bring her back to him in the dark and chilling woods. A teenage girl on a horse and a promising rugby player might yet end up somewhere warm, somewhere they could come in from time’s unrelenting cold.

A Bookish Crossword Puzzle for You

I have no idea how this will work, or if you will enjoy doing it. It’s pretty easy, so I hope you have fun. Let me know. I’ll post the answers next week. I wonder if AI can do this?

Enjoy!

Here are the clues. Most of them work. 4 down is a fudge.

AcrossDown
1 (5)Silence of the …2 (6)Dr Seuss’ Xmas thief
2 (7)LOTR Wizard3 (3)Plus
5 (4)Dorothy’s little dog4 (4, 1, 6)Erica Jong classic, almost
7 (5)Not the Odyssey5 (6, 5)Author of Jude the Obscure
9 (3)Not in6 (4)See 5 across
10 (5)Key somewhere beachy?8 (5)Goes with Prejudice
12 (5)Kazua —-guro10 (5)Nabokov’s best-known novel
13 (5)Goes with Pride11 (4)Runners look forward to it
17 (3)A person from Hooville13 (6)Harry?
19 (3)Estimated Time of Arrival14 (4) To mock
20 (3)It’s for its own sake15 (2) —  Profundis – Oscar Wilde
21 (5)Mr Pratchett16 (2)California
24 (2)Mother18 (2)Either?
26 (3)A thing cast22 (3)It’s Adam’s
27 (4)Awful thing to do to a mockingbird23 (3)The only answer
28 (5)Long flowing garments24 (3)Mixed Integer Programming
30 (2)Life of …3.14?25 (5)She was in Wonderland
32 (3)Alice met one from Cheshire29 (3)Australia’s tallest bird
33 (3, 7)Thank you Cervantes31 (2)Has been

That’s Nice: a very special gin

I’m off the booze at the moment, but still half a bottle of gin tempts me. It lurks in the cupboard daring me to fancy alcohol again. And I will, but not yet. Instead I’ll write about That’s Nice, the special bottle of gin that keeps calling to me. It’s home made you see.

A dear friend organised a gin making workshop for us late last year. It’s a thing these days, a byproduct of the fad for boutique gins and beers. High ticket workshops are a revenue generator and there’s also the chance of additional sales to a captive audience. In our workshop at the Greensand Ridge Distillery near Tonbridge in Kent, there were four people and only one of us (me of course) shelled out for additional booze. The apple brandy tasted amazing at the time, but that was probably the juniper effect.

To make gin, you start of with 400 ml of duty paid grain alcohol, 600 ml of water and botanicals. At our workshop we selected from a rather tired looking array of possibilities stored in large mason jars on shelves. We could choose from such additions as hops, but the ones on display were from the last millenium. Fortunately my hop-growing friend had brought her own. Other possibilities were aniseed, peppers, mint, juniper berries, antediluvial chocolate chips, coriander seeds, lemon, lime and orange peels and many more for adding to the grain alcohol. Ideally all the ingredients should be fresh and of the best quality, but you probably wouldn’t notice if they were not. Gin for its fans, is very seductive especially if you have made it yourself, so who would notice if the lime peel’s a bit tired?

Bottles of Greensand Ridge Distillery gin displayed against a textured background with the distillery's logo.

You boil 400ml of ethanol in a little munchkin sized still with the botanicals added in carefully measured proportions. We chose lemon peel, lime peel, fresh hops, juniper, pink peppercorns, coriander, cubeb (a type of pepper), angelica and liquorice root. You’re essentially redistilling the grain alcohol with the selected flavourings, so how much of each you add is important for the end result. And botantical quantities are an important trade secret. Naturally I forgot to write down our proportions, but we were juniper berry heavy as I remember.

In years gone by, gin was a mixture rather than a distillation of grain alcohol and botanicals. Mixtures were probably tasty but would’ve lacked subtlety and depth. The method we used in the workshop was redistillation (hence the name distilled gin) rather than mixing. We wanted our gin to be juniper heavy because we wanted something that tasted of gin and not just our own personal magic, which might’ve been yuck. We definitely did not want something that smacked of tinned fruit cocktail on the turn. 

The booze boils in its little receptable and a condensing unit slowly shifts the steam into another container. The condensing unit is kept cool with the addition of water to its external surface. This is important because if you let the temperature or the pressure get too high, you risk botanical collapse which potentially creates harmful stuff out of the oils as they break down. This you do not want, so you have to go slow.

As the alcohol (75% proof) and the added botanicals boil, the steam rises and condenses into the main body of the still, from which you sample the booze from time to time. You can buy the little stills which are made by Al Ambiq and are available for beer as well as gin making. The still isn’t so much the challenge as getting the ethanol is as it’s controlled, but you can still buy it.

Once all the alcohol has wended its way through the condenser, the next step is to water it down with pure water so as not to mess up the flavours. You also have to keep tasting it to be sure it tastes as you want it, as if it might not. And you measure the alcohol content and add water until it’s at am acceptable level. We stopped adding water at around 45% proof. Actually that’s a distraction. You add water until the volume is no more than 400ml. This is the cut-off point. Duty apparently has to be paid on alcohol volumes of more than 400ml. Our host had already paid duty for the original ethanol, so no sense in running the risk of a double charge.

We had a lovely time tasting our gin, having previously been sipping at what was supposed to be a tonic and ice mix, with added berries and bay leaves. But it left us slightly warm and a little giggly and wondering when and where we would be having our lunch. Having slowly driven away from Greensand Ridge, we found a farm gate off of a quiet lane which we duly blocked. Sitting silent and content with our sandwiches, we understood that there is nothing quite like the scent of juniper on the breath of a Saturday morning. 

PS If you want to know how gin is made in oceanic quantities, check this out: https://www.bostonapothecary.com/distillery-practice-gin/

Additions for the Newfie medical dictionary

Homebrew Talk, a website for home brewers based in Newfoundland has put together a very funny list of alternative medical terms. You can find the list here: Newfie medical dictionary

I’ve got a few additions for it. I hope they make you smile.

aspirin……………………………………………………………. ambitious

bandage …………………………………………………………  to do with musicians

catarrh……………………………………………………………. country in the middle east

coccyx…………………………………………………………….. the cock before cock seven

disease…………………………………………………………… this ain’t hard

electrocardiogram………………………………………… exciting message on a jumper

enzyme…………………………………………………………… the one before ozyme

femur……………………………………………………………… pay more

forceps…………………………………………………………… two sets of biceps

general practitioner……………………………………… march in uniform with medals

herpes…………………………………………………………….. not his peas

incontinent……………………………………………………. worldwide traveller

infectious………………………………………………………. factually correct

inpatient………………………………………………………… not inclined to wait

intrapartum…………………………………………………… between festivities

jockstrap……………………………………………………….. device for catching sporty men

ketones………………………………………………………….. best notes in a song

laxatives…………………………………………………………. lazy relations

lesion……………………………………………………………… 3000 – 6000 Roman soldiers

lobotomy……………………………………………………….. low slung bum

lupus………………………………………………………………. cat’s litter tray

measles………………………………………………………….. not all about you

menopause……………………………………………………. taking a relationship break

node……………………………………………………………….. kind of poem

oestrogen………………………………………………………. he’s wanking

pessaries………………………………………………………… people who eat fish

placenta…………………………………………………………. Italian for calm down

platelets…………………………………………………………. saucers

physical………………………………………………………….. carbonated

pneumonia…………………………………………………….. the latest monia trend

polio……………………………………………………………….. poor lion

prostate…………………………………………………………. in favour of the system

pulmonary…………………………………………………….. posh train carriage

retrovirus………………………………………………………. vintage ’flu

scalpel……………………………………………………………. going bald (thank you Debbie)

semen…………………………………………………………….. sailors

surgery…………………………………………………………… Russion youth hostel

sutures…………………………………………………………… looks nice on yous

syndrome………………………………………………………. place of vice

syringe……………………………………………………………. Lady Ringe’s partner

testicle……………………………………………………………. a littlr exam

ultrasound…………………………………………………….. really healthy

vas deferens………………………………………………….. what’s changed?

vein…………………………………………………………………. not humble

vulva………………………………………………………………. Swedish car

Why you should go see ABBA Voyage

Actually there is no reason to see it at all if you don’t want to. But as a passionate fan I simply had to and I shall go again. It’s strange because I completely ignored ABBA in the 1970s and 1980s and then embraced them wholeheartedly when our daughter was about 4. She was superkeen on one of the ABBA songs covered by a now forgotten band, A-Teens. Another bunch of Swedes? Can’t remember which song, but we gave her ABBA Gold for Christmas and there was no turning back.

So I came to this show, way out in the middle of London nowhere with high expectations of having a fantastic time. And I did, but there was plenty of unexpected too, like the lack of places to eat and drink, bar one, outside the venue. Superkeen you rush off the DLR at Pudding Mill Lane station wanting wine and a wee in almost equal measure, and there is the stunning ABBA Arena massive, black with ABBA in huge bright multicolour letters. But opposite the arena is only a miserable looking bar, dark and uninviting, squatting sullen and sour behind a low picket fence that would do a vampire residence proud. Who know what happens in the shadows behind it, so of course you don’t go in. 

Instead you head quick fast to clear the highly efficient airporty security controls into the arena’s lobby. This huge expanse of reception space also is airport like, but lacks the usual food and drink outlets. It’s an expanse of vaulted wood with coloured lights on the beams matching the external arena sign. It’s reminiscent of super cool mountain lodge, except it’s clever interior design is shaped to accommodate many, many people, and it was heaving on a Wednesday night. The four colours of the themed lights glow everywhere in the arena, on the outside sign, across the ceilings of the lobby, on the arena’s ceiling and even in the avatars’ costumes. Colour coordination all over the place, but the outside lobby still feels airporty.

Instead of the branded food outlets you get in an airport, at the ABBA Arena you get a repeated array of food and drink stations. They’re all branded yellow and black and serve limited selections, all part of the venue’s lowest common denomoninator principles: macaroni cheese, chilli, burgers and so on with cheesy chips an additional veg choice. The alcohol is wine and beer and canned cocktails. Yum.

It’s all very futuristic and brings to mind what bomb shelters would probably look like, if we end up at war and need fully resourced safe spaces. Also branded yellow and black is the tackiest merch place conceivable. The tat shop had on sale the most hideous Christmas jumpers ever, proudly declaring ABBA allegience. As if. There is also a hotel-like VIP lounge, entry £99 each, but once inside everything is free. Of course it is. 

You’re recommended to get to the venue some 90 minutes before the show so that you can enjoy the delights of the not very nice wine and sort of ok food that you have to eat standing up. The loos are spotless and abundant so the queues are barely there, much appreciated after two plus hours on trains. The lobby atmosphere on the night we went was unexpectedly tame and almost subdued. Too many people dressed in their ABBA finest were reconsidering their decisions over warm white wine and macaroni cheese served in a little paper bowl. The fizz and shimmer of anticipation got lost in the shuffle.

But once inside and on your seat the spirit leaps and flames with renewed excitement. The arena’s big but not so big as to leave people on another planet instead of at a performance. The stage is massive and while you wait you’re treated to Scandinavian forest scenes that appear to have magical spirits floating through the trees.

Technology is the real star of this show. It is nothing short of spectacular. The lighting system is literally dazzling, an amazing level of creativity tightly integrated with the constantly changing soundscape. The varied costumes, the slick integration of the live band, analogue recordings and digital enhancements stunned the senses and yet felt cosy. The ABBA avatars are fluid and graceful although Agnetha’s face was definitely a bit immobile, in the way that women who’ve been under the knife too often tend to be. Perhaps that’s on purpose but I prefer to think it a coding shortfall.

The selection of songs was both what you’d want from the many old hits and want you’d want as a surprise: two tracks from the Visitors album. In homage to the old hits many people were dressed per the songs as seen on television and in the films and stage show. But there were plenty of ancient people having a blast, even if they weren’t dressed up. There were also plenty of people who were definitely not ancient also having a blast. Seriously impressive that these newbies even knew all the words to most of the songs. And although the place was packed the temperature was perfect with an atmoshere at once intense yet polite. It reflected the people there who were mostly older and singing along to happy and sad echoes of their own lives. A sprinkling of greying male partners were looking mildly embarrassed and probably wishing they’d stayed in the pub at London Bridge station. But I’d prefer to think they enjoyed being part of so many peoples’ joyfully happy space. That feeling was marvellous, a perfect escape from outside woes and internal turmoils that didn’t get erased, but got put into a different, more positive context. Most of us seemed to know most of the words even to songs that weren’t big hits, old and new.

The performances of ABBA’s latest singles Do I have it in Me and Don’t Shut Me Down were perfect links, past and present. They didn’t so much close the ABBA circle as to invite new hopes for more, somehow we still want more. Mind you we probably don’t want more of the weird Manga like cartoons that popped up a couple of times during the show, presumably during digital switchovers of some sort. Or perhaps to give the avators a binary breather. A Manga cartoon was weirdly the backdrop for Voulez Vous and might have been a questing story involving ancient runes and towers. There may have been pigeons. I struggled valiantly to make the connection but still haven’t managed it. At various points each member of ABBA gives a little welcome via their avatar and a thank you of their own. Björn’s avatar touchingly thanks the audience, “the fifth member of ABBA”, for being there. And then it’s suddenly over and we’re all shuffling back to the DLR with our senses overloaded and a sensation of mild confusion at what we’d just experienced. Recovery was slow and sweet and as we head for another Eurovision where it all began for ABBA, remembering that and ABBA Voyage brings fond reminiscences of 1974 when we were all oh so young and pretty. 

The ABBA Voyage concept or model is where so much performative art is heading. And it’s a wonderful thing as long as live, real body experiences kept happening as well. Without the source there would be no quest or voyage. So maybe in fifty years time we’ll be watching Kaj perform their wonderful sauna song Bara Bada Bastu, favourites to win this year’s Eurovision. Enjoy! 

When Hollywood comes to call

Unbound published my first novel, The Draftsman, in 2021. Absent any sort of marketing whatsoever the book sank without a trace. Weirdly (or stupidly) the publishers got 700 copies of the book printed, but had no sort of marketing plan in place to sell them. When the distribution house collapsed earlier this year and had to clear their warehouses, Unbound chose to pulp the remaining books. Before that happened we bought a some at cost to sell online and at literary festivals. The remaining copies of The Draftsman are now living new lives as recycled paper.

Despite a business model that is a great idea for prospective authors, Unbound is best avoided. The idea of crowdfunding publications, essentially the subscription model, is not new but it is an idea that depends for success on active and close collaboration between author and publisher. In the Unbound universe (would that be a u-bend?) the collaboration is entirely onesided. The author is expected to sell the books, rather than being able to trust their publisher to take care of sales. Prospective authors are instead better off working with a project manager to pull together the editorial, production, publishing and marketing processes, on the basis of a revenue split. The disappointment of working with Unbound still haunts me. But their incompetence may have turned out to have a silver lining.

The pulping means that The Draftsman is out of print and that means that the rights to the work revert to me. This is a good thing, especially when Hollywood comes to call. Except that the silver lining thing is a load of old toe. It’s real only for a brief glimmering moment, a moment that with a bit of thought soon turned into a wildfire of haemorraging fantasy. I should explain.

All this excitement was based on several emails and two telephone calls with a bunch of questions including about rights ownership (that silver lining). The emails were from people telling me that The Draftsman has been identified as a possible for a film or television series. This much we know because it is a good book with interesting characters. But the emails said this too. Me being me I forwarded these messages to the originating companies with a note that their email system had been hacked. But then I got another approach to which I responded “is this a joke?” That yielded a further message asking when it would be convenient to chat about the plan. Blimey.

Yeah right, yes you can call me because the exercise will be interesting. So a man rings, not once but twice. He’s extremely polite, professional and keeps repeating the lines. He keeps explaining the process and he keeps reminding me that the details of his emails and of the conversation are subject to a Non-Disclosure Agreement (NDA), not that one has been signed. Of course this is a scam, and it’s like really, how much do you want from me to progress this. The nice man on the telephone laughed and said they would not be asking for any money. The offer is contingent on all sorts of things and having giving him the confirmations he needed to take things to the next stage, he would be handing over this project to his colleague. And that I should expect further contact within a couple of months. I am being warmed up for the sting, and yet am already considering possibilities for my protagonist, Martin Cox. Aidan Turner’s too old and gruff; a young Johnny Depp isn’t an option; Timothée Chalamet’s hair is too short and curly; the blue eyed bloke in the Bear could be perfect but he too has short curly hair. And who could play Joshua, my favourite character? The gleaming silver keeps on shining ever brighter. I’ll let you know how it goes.

Unspoken or speechless?

People with sore throats apparently have sore throats because they are not very good at expressing themselves. Difficulties we’re facing but can’t express, so we get a sore throat? Nah. People with sore throats may just have sore throats and be in need of gargling with a 1:5 solution of TCP. 

If you’ve trouble with self-expression, it’s much more effective to build a very high, very thick wall. Stay behind it as long as you need to and keep adding bricks when necessary. This is completely opposite to what the head doctors will tell you because it amounts to repression: oh no I’m repressed. And it’s doing me in. My mental health, oh dear. Except no, not expressing yourself isn’t doing you in at all, it’s providing you with a safe space behind walls that only you can occupy and this is not so bad.

Everyone has these walls to some extent or another because it’s how we protect ourselves, how we hide what’s important or the effects of trauma. It’s also where we can stay when times get tough, so that we can work out how to get through those gnarly times. We can wait and figure out what happened, how we feel about it and what we can do to deal with it, which is usually not much. Mostly the best thing is to be patient and be still, to lie in the dark and watch as the wiggles in your eyes weave unseen webs and rehearse their silent chorus. You know it all.

We can talk about stuff and share, or keep behind a wall. Either way anxieties and insecurities, fears, are absolutely who you are along with the rest of what makes you you. But owning such things can be hard sometimes, especially if they’re reflected in your conduct. Fear and insecurity drive behaviours and creativities: we can always do better. It takes a genius on the scales of Lennon and McCartney to have the confidence to say, actually that piece of work is not so bad. And then they could only make such judgements in later life, once the crazy Beatle years were over and they were further along on their respective journeys.

For people aspiring to write fiction, does it maybe ever happen in the same way? Do we ever look back and say, I hated that at the time but actually it isn’t so bad? Time maybe the magic ingredient no one can add at the point of creation. As with music, revisiting what you created ages ago can be instructive for what you are creating now: it shows you boundaries, different walls that you might want to extend or penetrate. For those walls, the limits to your creativity, the more creative work you do, the thinner and lower they might become. We can always do better. There are always more words. 

The next time. The next time bricks get added to your walls is unavoidable. Bricks, mortar and the next brutal trowel are always close at hand, just waiting. But not because of the work. The next time the walls start going up doesn’t come with mean comments about the piece or with people laughing or mocking what you’re trying to do. The next time the walls start going up is because of stuff that traumatises and confuses you, undermining who you are, what you are. And if you are a writer or a musician those safety walls can have nothing to do with the work. The work’s apart from you and your walls; it’s more important. Walls that go up because someone doesn’t like your story or articles are flimsy and easily downed. They are trivial, false and fragile figments you can ignore: there is always more to say, more words, more stories; you can always do better. So when a piece gets criticised, instead of letting a wall go up let come a moment of joy, of elation. Comments and criticism confirm that someone has bothered to read your words and consider them. They’ve made the effort and taken the time to respond to what you’ve written. Creative output and you are intrinsicly bound yet separate, so your walls keep out the work as well as the rest of the world. Be content to toss words over the parapets and watch them fly away across the sky. And be happy if somebody finds them.

© Laurel Lindström 2023

https://www.newyorker.com

English as she is spoke

English has played quite a role in spreading culture, commerce and other things beginning with c across the globe. The language owes much of its success to its habit of agglomerating new words and meanings. And the fact that the English are too lazy to learn other languages. They believe that speaking English at volume will do the trick. It doesn’t. English speakers prefer to pinch words from other languages and make them work, often very effectively. Pyjamas from Hindi, zeitgest from German, ombudsman from Swedish, schmuck from Yiddish, divan from Arabic, croissant from French. You get the idea. English is a collection of words from other languages, pronounced wrong. Things are more complicated and far more creative with Cockney rhyming slang, but that’s for another day. 

The greediness for new words that makes English so dynamic isn’t matched by its ability to care for words; we let them get messed up and mangled without much of a fight. We allow bits of our language to fall into dereliction, and never think about why those bits have been relicted. We forget to use words even though they break no rules. Do you ever feel gruntled basking in the sun’s warmth instead of disgruntled because of the coolth?

Situations and people we don’t expect to run into can be very disarming but when we are expecting to see them we rarely feel a sense of arming. And if it’s hench people or environments we’d prefer to avoid, we can be pretty ruthless about getting ourselves elsewhere. If we change our minds we surely return with ruth. Except we don’t, even if we have decided that the hench people are couth rather than uncouth and that places are lapidated rather than dilapidated. Actually that one’s a bit of a cheat. To lapidate means to stone to death. But onwards.

First impressions can be accurate or deceptive and what you think is an accurate first impression might actually have misled you into some sort of false confidence. It might not take much to misle you; a person’s demeanour (they might have meanour, but we don’t mention that) and manner depends on the impression they want to give. How devastated we feel when we discover they’re a crashing bore depends on the circs. There’s only so much chat about the best place to get an MOT in Ireland one can take (Belfast apparently). Once you’ve regained consciousness walk away. The sense of devastation gone and feeling fully vastated, you’ll be ready to share alternative hospitality. Unless, or is that less, the encounter has left you hospitalised.

Unlike structured languages like German or Swedish, or even French, the English language is unruly and wayward. The collective linguistic naughtiness of some two billion speakers makes of English a perpetual chaos. Few people are aware of inventing words, yet still English vocabulary blossoms with no trammel whatsoever. Unruly but consistently inventive, it’s got some 170,000 words in usage. Most people work with 20,000 to 30,000. Unlike the rule driven Swedes and Germans, English speakers are not ruly, they are rule breakers. From the messy growth of English vocabulary we can infer that English is a bonkers language. Or is that a verb usage too fer?

https://www.newyorker.com

Writer’s block and how to solve it

There’s been lots of chat online recently about overcoming writer’s block. Writer’s block is defined by some site Google thinks knows, as the condition of being unable to think of what to write or how to proceed with writing. And that’s a load of old toe. I can state with complete confidence that never in a career spanning 40+ years have I suffered from this terrible condition. And the reason for this is simple: I can’t afford it, not just because without the article there can be no invoice. I can’t afford it, because without getting on and writing something, my head implodes.

It’s not just me. Writer’s block is a problem no jobbing writer, say a journalist or a copy writer can allow. Hilary Mantel was asked at some event if she ever go it and how she resolved it. I can’t remember the exact words but in essence she said no, and that writing is something that cannot be blocked. You sit down and write something, anything and see what happens. Try it, try writing out your nine times tables in numbers and words and see where it takes you. If it only takes you to the ten times table, go backwards. See what clever things you notice about the nine times table.

A way more serious problem is a lack of ideas to turn into stories and here too Hilary had a solution: read a newspaper. You’ll find a host of stories presents itself, especially if you’re looking at smaller local titles. The point is that ideas spring from your observations of what is all around you. Wherever you can find scenes or communications about life and people, you can have something to say: the discovery of a long lost relative; a pony who can speak English with a Welsh accent; vegetables that double in size in the fridge overnight; a mysterious visitor you thought was just the new postman and who turns out to be your first lover in disguise. And so it goes on.

Writer’s block is not a problem, it’s an excuse, an indulgence that puts the complainant first and centre, and overlooks the writing. More interesting is why someone thinks they cannot write, have no ideas, no stories to tell. It might be reasonable to say that individual trauma justifies shelving the pencil or pen or keyboard for a while. If you’re distracted by some family worry, your spreading midriff or how to pay the electricity bill, writing is not going to be top of the list of what to do with your time. In the case of the electricity bill, there’s motivation right there to get on with it. In the case of other dramas though, perhaps a writer is so sensitive that any kind of practical or emotional disruption is sufficient to knock them off course.

For me, it’s the opposite. The worse things are the more buried I get. The hardest part about writing a weekly blog isn’t overcoming a fictitious block or coming up with ideas. The hardest part is the same as it has always been, it’s that contact problem. Not people or networking mind, it’s just getting the backside into contact with the chair and the fingers with the keyboard. It’s the old problem of finding a round tuit. I have to get one every week to make sure the noise in my head reaches the page. I suffer not at all from writer’s block, but massively from the maelstrom that’s constantly raging in my head. Perhaps now its a little quieter, but I know the noise will be back soon. Like writer’s block it’s all in the mind.